Tag Archives: Alan Arkin

Can’t Wait: ‘Stand Up Guys’


While my other movie series, I Don’t Need No Stinkin’ Film School, looks back, I figured I should place at least one foot in the here and now of giddy anticipation.  Therefore, Can’t Wait focuses on upcoming movies I, well, can’t wait to see, along with a few reasons why.

Elmore Leonard’s influence, be it direct or otherwise, is always something I value in a movie.  Fast talking lowlifes, quippy small time crooks, and lounge bars are the cornerstones of Leonard’s work, and things that never fail to interest me.  And when Christopher Walken, Al Pacino, and Alan Arkin are playing elderly versions of those lowlifes, as they do in the upcoming Stand Up Guys, you can count at least one ticket punched.

Will Stand Up Guys be any good?  Who knows?  It’s slated for a January release, which is never a good sign for a film’s quality prospects.  However, that cast, including the aforementioned legends, also features Julianna Margulies and Mark Margolis (Tio!), which is exciting.  Pacino in particular looks like he’s stretching some of those early-career restraint muscles which have gone dormant for decades.  All three of Pacino, Walken, and Arkin have a jaded, beaten, and good-humored take on those Leonard scuzzy criminals, which is alone worth $10 to get out of the January cold.

 

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Can’t Wait: Ben Affleck’s ‘Argo’


While my other movie series, I Don’t Need No Stinkin’ Film School, looks back, I figured I should place at least one foot in the here and now of giddy anticipation.  Therefore, Can’t Wait focuses on upcoming movies I, well, can’t wait to see, along with a few reasons why.

“Ben Affleck wants to direct?  How cute,” seemingly everyone scoffed in 2007.  After all, Affleck had spent the preceding decade squandering his promise as an actor in toxic works like Daredevil and The Sum of All Fears.  Then he sat behind the camera for Gone Baby Gone and made a vibrant, violent, engrossing, and downright great thriller.  “Okay, but we’ll see how he follows up on that,” came the skeptical response.  Affleck then made The Town, this time starring in addition to his directing duties, and created a crowd-pleasing heist film without sacrificing artistry.  This time, his Argo is not eliciting the same skepticism.

The “based on a true story” hook is captivating in itself, given the high concept idea of faking a Canadian science fiction film as a front for sneaking American hostages out of Iran.  But the cast of iconic character actors — John Goodman, Bryan Cranston, Philip Baker Hall, Victor Garber, Titus Welliver, and Alan Arkin among them — is a cineaste dream.  How these people interact in close quarters, ready to snap at each other and the circumstances surrounding them, is potboiler gold and worth seeing even if Affleck’s direction didn’t look so slick; Argo appears to continue his “artsy popcorn entertainment” aesthetic started in The Town.  Seeing Affleck direct increasingly elaborate films is a good sign for Hollywood, and any Oscar buzz surrounding Argo gives him and other like-minded filmmakers the cache to do special, interesting work.

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