Can’t Wait: Martin McDonagh’s ‘Seven Psychopaths’

While my other movie series, I Don’t Need No Stinkin’ Film School, looks back, I figured I should place at least one foot in the here and now of giddy anticipation.  Therefore, Can’t Wait focuses on upcoming movies I, well, can’t wait to see, along with a few reasons why.

Colin Farrell has been unfairly regarded in recent years as a Hollywood failure.  His public persona — drunken, foul-mouthed Irish dock worker — and stream of big budget flops (this summer’s Total Recall, which I haven’t seen yet, is the latest) only serve to enhance that perception.  But that understanding is a shallow view of talent; essentially it equates box office dollars to a filmmaker or actor’s artistic capabilities.  In reality, though, Farrell is a very good, and sometimes great, actor.  When paired with solid material and, in the case of 2004’s The New World, world-class filmmakers like Terrence Malick, Farrell can knock a role out of the park.  His finest, and also his most entertaining, role was in 2008’s In Bruges, a comedic thriller written and directed by Englishman Martin McDonagh.  The two are reteaming for the upcoming Seven Psychopaths, an irreverent caper involving dognapping.

Farrell’s not the only actor of note in Psychopaths, either.  It’s overflowing with talented, captivating actors like Sam Rockwell (Moon, Galaxy Quest), Christopher Walken (The Deer HunterCatch Me If You Can), Woody Harrelson (No Country For Old Men, Zombieland), and a rare acting appearance by musician Tom Waits (Short Cuts, Down By Law).  Everything about the trailer suggests a grimier Ocean’s 11 tone; these are lower rent criminals — note Harrelson’s neck tattoo — but the lighthearted, jokey bent remains.  The film makes its North American debut at next month’s Toronto International Film Festival, and will hopefully earn a wide release in the months following.


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One response to “Can’t Wait: Martin McDonagh’s ‘Seven Psychopaths’

  1. Graham Webber

    I would just like to mention that although Farrell hasn’t made a serious dent when it comes to mainstream blockbusters, he has been very consistent in smaller more independently minded films. such as the already mentioned New World and In Bruges, as well as Cassandra’s Dream, Crazy Heart, London Boulevard, and even a picture the studios didn’t seem to care a whole lot about such as the remake of Fright Night.

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